Unseen

Destination Unknown

Destination Unknown

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Salaryman’s Night Out

Salaryman’s Night Out

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Circus Liquor

Circus Liquor

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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LA Noir

LA Noir

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Social Distancing

Social Distancing

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Mid Century 76

Mid Century 76

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Midnight Snack

Midnight Snack

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Orpheum Theater

Orpheum Theater

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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The Jaws of Light

The Jaws of Light

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Information

Information

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Ghost Town

Ghost Town

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Blind Ambition

Blind Ambition

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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The Elephant in the Room

The Elephant in the Room

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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Homeward Bound

Homeward Bound

Medium: Archival pigment print
Date: Ongoing
Size: 17x22", 20x24", 30x40", 40x60"
Edition: 8, 8, 7, 3

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BIOGRAPHY

Self Portrait

Dan Sackheim has told me….that “As a child, he was terrified of the dark. So fearful was he of what could be hiding under the bed, or lurking within the dark recesses of his closet, that he regularly slept with the lights on”.
How ironic is it that today he finds himself with his camera in hand and drawn to damp and poorly-lit streets and dark alleyways in cities all over the world, especially in Los Angeles where he lives.
Dan’s series, “UNSEEN” illustrates that he is trying to see or rather discover what lies beneath – in the dark, where he previously was petrified to go. Dan’s photos detect only isolated fragments of the scene in front of him. In a sense, he is shining a light on what is indeed hidden from sight.

I personally think that Dan’s use of light is extraordinary and it is that feature that drew me (in)to his work and onto my website!